Tuesday, 28 July 2015

The Blocked Out Life of Elizabeth Montague

Elizabeth Montague was a good wife and mother. Everyone said so. Always clever and bright, she had only missed university by a couple of points,and indignant at what she considered an unfair selection method, refused a by for which she was entitled, and leaving education completely scuppered any hope of the legal career she had always dreamed about. In her mid teens, angry and gradually burdened with a sense of failure, she turned from a hard working optimist to a lazy and troublesome girl. Eventually, after refusing to cash in on what were pretty decent 'A' level results and taking one of the good career opportunities she was being offered, she instead accepted a low-paid, menial job at the local shirt factory packing men’s shirts. No one was in any doubt that this was an act of protest. She settled in to it though, paying sufficient attention to learn astonishingly quickly the awkward technique of folding and pinning the newly minted shirts and sealing them into polythene envelopes which were then tightly sealed by machines. Although work of mind- numbing mundanity this procedure required dexterity and care and no-one could remember anyone who had picked up the routine quicker than she had. She seemed contented and secure and refused to give way to any lingering sense of ambition she might still have had.
After a few months she met and married Paul, an amiable mechanic and vigorous shop steward who had recently joined the company on promotion. Paul who fancied a stab at local government quite fancied Elizabeth, and the feeling was mutual. Soon they were dating. Over glasses of Taunton cider and endless packets of Embassy Golds,(the cheapest and nastiest option available then),he introduced her to socialism and the principles of Marxism, something that had completely passed her by whilst at school.  In time she quickly earned herself a reputation for being feisty,standing up for herself and others against what she’d quickly realised were quite exploitative bosses who had hunkered down in the backroom offices of the Grant Fenton shirt factory. Pretty soon Elizabeth eclipsed Paul’s knowledge and enthusiasm for politics. After a short while they were married to no great fanfare, and, when Elizabeth fell pregnant with Emily, typical of the 1970s, she left the factory to a supposed life of dedicated domesticity. Paul now settled as a married man, buried any lingering ambitions he had and slumped to work everyday dutifully bringing home the bacon.  
  After a while Elizabeth grew restless and announced that she was going back to college to, as she put it: ‘tie up some loose ends.’ In 1982 having completed her part time politics degree, a few part time students were organising a trip to Greenham Common to make a protest about US nuclear missiles on British soil. She signed herself up and promised Paul and Emily that she would return that evening. One of the other students, Katherine – also a young mother, brought a tent along just in case of a late finish. After an exhausting and, to Elizabeth, exhilarating day, both women stayed that first night, drank copious amounts of wine and sang protest songs about warmongering governments and fascistic police. Both felt intoxicated with life and at some point that night decided to stay on a bit longer. After three weeks of living in the little tent, relying on food parcels and hand outs, reveling in the newly comforted of delighted sorority whilst using the great outdoors as a makeshift bathroom and probably smelling like a couple of old kippers, Katherine decided that she missed her husband and sons too much and told Elizabeth that she was going home, her work done. After a blazing row – Elizabeth decided that the future of the planet far out weighed any pathetic little domestic concerns she herself might have – and stayed. And stayed for seven years..As time passed she grew bitter through the endless battles she had with multiple forms of authority: police, council officials, court staff, politicians,servicemen. All lumped together in her mind as government backed brainwashed shits. She refused to wash, change her clothes and would only eat hand outs. Paul and Emily were always in her mind somewhere of course, but their memory was becoming shadowy, pushed to the margins by this new obsession. Her family had been consigned to the back burner of her life, to be dealt with later.Over the years she broke onto the base numerous times, damaged military equipment, assaulted a female soldier,and set fire to the runway. Throughout this time she attended court, was rude to several stipendiary magistrates and was sent to prison no fewer than 11 times. Always she returned to the 'Peace Camp', as it was now styled and listed as her permanent address by the courts, ready to take part in whatever 'action' was being planned next, whether lying in the road obstructing traffic,painting the gates,or breaking onto the base naked and embarrassing the soldiers and police who had to coyly and self consciously gather them up and escort them to the exit gates.  And then, in 1989 the bombs went. And the inhabitants of the camp disappeared, and Elizabeth, realizing there was nothing left to protest about, wondered how on Earth she could go home. 

Wednesday, 23 April 2014

This Much I Remember

                   
  It had only been minutes since our mothers had walked away from the school gates and leaving us in the charge of Miss Fielding.  She bundled us quickly together - some in tears, others stunned into a confused silence - before leading us all into a squarish room, chaotic with wooden desks sat at angles on a red tiled floor strewn with a rubble of damaged toys, lettered bricks and ragged books. The walls were stark, creamily bricked  like the inside of a prison, but colour-splashed with impressions of blazing flowers, disjointed animals and mini-sized hands: scumbled onto beige, peeling paper -  patty-caking at odd angles; the ghostly residue of a previous term's pupils. The windows were opened wide with the skinny bunched curtains ruffling at the edges. It looked as if something or someone had been trapped in the room and had with panic and relief bolted outside into the swarming heat, amid the exploding bushes and the emerald expanse of tightly cut grass. 
   As it was so hot once our bags were dropped we were taken outside to sit under a willow tree to cool off, and in some cases, dry our tears. We were placed in a concentric semi-circle with Miss Fielding sat in the middle to our front  - all of us surrounded by the drooping fronds of the buzzing willow tree. After asking all of us our names and ticking them off, she suggested that today as it was so warm and sunny we would sit right there and listen to stories until it was time for lunch. Those who were still inconsolable after the still recent parent child separation episode, sat slightly apart, their moans quietly irregular - tucked inside the hushed breeze and the faint birdsong. The rest of sat with mute acceptance, waiting for Miss Fielding to open the book and read to us. 
   I had not been overly upset at the wrenching some had felt when their mothers walked away, but was contently confused to go along with what was happening. I sat quietly under the tree, my naked legs feeling the pin pricks of the nipping ants and the grit-sting of the small stones, and my bottom going steadily numb. I could feel the cold tickle of the grass blades on my wrists and smell the wet hum of the tree as I listened to Miss Fielding, her unbroken voice creating an invisible wall, trapping me to the spot, gradually rendering all of us silent. 
 After a while, new feelings of discomfort caused me to fidget. Unable to break the spell of Miss Fielding's voice a sense of panic throbbed through me. I knew what was going on, but I was powerless to do anything about it. It started as an itchy fidget, which I knew I could handle. Then, it changed to something more pressing, more urgent than usual - painful almost. In no time at all I knew that something had to give, and I knew I had the means to make things better, to let go, to turn pain away. My eyes closed and a warm, moist, oozing filled my pants, a damply sublime, guilt-filled relief.
    Gradually a terrible smell wafted through the half circle of children, who started to fuss and whine and pinch their noses. I wished it wasn't me. I wanted the cause to be something, anything else but me.  My heart punched my chest and my eyes tightened as I visualised the vapour trail snaking towards Miss Fielding’s nostrils, who seconds later after a moments exploratory pause, closed the book with a thud. 
   I was extracted from the group by the headmistress who marched me to the place considered the sole domain of Mr Dickson the caretaker. I remember seeing his brown coat draped over one of the chairs and noted the frayed collar and the little row of screw drivers and pens sticking out of the top pocket, and a copy of the Racing Post rolled up and poking through a lower one. His glasses were sat on his chair as if placed there to reserve the seat. There was a smell of disinfectant from a tin bucket with a mop planted in it like a stake, the head looking like a dead sea creature, lifeless tentacles partly concealed in a scummy fizz of poisonous water. On the drainer there were two tins of Ajax, a slab of soap, a nail brush, a yellow glove that looked like a dismembered hand, a bunched up cloth and a silvery bloom of wire-wool all placed out like a janitor-themed Kim’s Game. 
 A nurse in a blue coverall and plimsolls silently appeared.  She nodded at the headmistress who then clacked quickly away along the corridor. The nurse then blasted steamy water into a large ceramic Belfast sink which bubbled and foamed. My punishment was to be publicly washed in a sink normally used by Mr Dickson for only the dirtiest jobs. I was stripped and dunked roughly into the wet boiling heat by the nurse who proceeded to wash me as if I was muddy pet, continually sluicing me as if trialing a new torture technique. Each sloshing leaving me momentarily breathless, my secret tears melting into the brown froth. The air was full of steamy soap-scented excrement and the distant shrill sound of children’s voices. I felt sad, confused and worried.
The nurse said, ‘Stop moving, there’s no one around who can see you.’ I was turning my head like an owl, checking desperately.  No one was around. But it didn’t help.
 ‘Right, you’re done,’ she said, and lifted me from the sink. ‘Dry yourself and put these on.’ She showed me a set of clothes that looked like they’d been retrieved from a nearby orphanage, like the ones I’d seen my father wearing in the creased black and white photograph he kept in old musty cabinet drawer in the shed.  Dressed, I looked like one of those evacuees you see clambering on and off trains in those wartime news reels.
 As I tidied myself I saw a lone girl peeping from behind the bag pegging area. She’d watched the whole thing in complete silence. She had ginger hair shaped like a wasp’s nest, and I liked her. But she’d seen me undressed, scrubbed and sluiced like a dog so I hated her instead.  I never wanted to see her again, but a bond was already quietly forming.  Later, sports day brought us back together again. 
                                               
Sports Day.

On the day the boys wore capacious shorts. Those tight-squeezers that made footballers in the Eighties look like they were wearing swimming trunks hadn't yet caught on.  The girls were even more unfortunate, forced to strip down into what appeared to be heavy-duty, navy- blue knickers which made even the slim girls look horrid.  I suppose this was intended to thwart the stirrings we boys tended to get and the old navy blues were a good defence against any surprise twitches or unscheduled bulges appearing on sports day.
   Looking at the group of girls mustering I noticed the ginger frizzy- haired girl sat with a teacher. She was fully dressed, quite plump.  
I was also going through an unpopular phase as that toilet business hadn’t been forgotten, and I’d started to wear glasses to correct a squint recently spotted at the clinic. But at least I would be involved as soon as the pairs were settled. 
   Once the ramshackle of minor events involving sacks, buckets and plastic objects were over, the wheelbarrow race was announced. Girls must choose boys to push.  Boy’s legs to be tucked under girl’s arms and pushed along, wheelbarrow style.
Boys with their strong taut little arms would crawl, whilst their bitty legs were tucked under the arms of the girls who would then push them along like a barrow, as fast as possible towards the winning line.
    As the pairing off neared completion, feelings of dejection began to come over.  The final girl made her move and selected the boy next to me. The balance was wrong, and I was left out.  There was to be no wheelbarrow race for me. No more pushers were left.
Suddenly there was a commotion, a swirl of mums and teachers, all permanent waves and flouncy dresses, fussing over someone reluctantly being pulled into the open. It was the ginger girl sprung from the safety and anonymity of the spectator’s seating. She was ordered to strip down to her knickers and fill the gap. I was going to be barrowed after all, by this little ginger tank.  My secret ginger girl.
The starting whistle was blown shrilly and, before its pea stopped rattling, the navy blues and their hand crawlers began. Pretty soon boy's legs were being dropped by slim pig tailed girls, their ribbons flicking in the wind. Tears and pouting accusations soon followed.   But I was still going, pushed by a pile driver, my bony legs clamped tight by pudgy arms and the pent up emotions of this strong girl. 
    My twiggy arms and hands were a blur of desperate skittering. They had to be. If I hadn't kept them going I’d have fallen face first into a wreck of bloody nose, grass-stained teeth and comically twisted specs. She kept pushing. My weedy chest heaved; fear of worse pain drove me on and on. My lungs felt hot and sore and I could taste sweet acidy fluid in my mouth. But then, other feelings deeper inside me changed: I felt angry and proud and I wanted to win. I could tell that she wanted it too, the frizzy ginger girl, as determined, intent and as full of desire to win as I was.  
                                              
The Little Fishes

I made a massive chore of learning to swim on account of being a bit of a coward. Actually, as a baby, I could always swim. My body understood the rudiments of breath holding and doggy-splash, even though I couldn't know it did. No one told me it was one of the purposes of survival, and that God was smart enough to give us this basic survival tool - our lungs being well attuned to watery breathing due to the whole getting born thing.  And I guess there always existed the possibility that when you clambered out from your warm soaking prison, you’d slip into a cold river and live long enough to break the water’s surface like a pearl diver.  
It’s a bit like the giraffe thing, they’re all born as walkers: shaky and uncertain, but solid enough to wobble into a safe area once they've slid into the world, instead of lying down and glistening with animal sweet-stickiness waiting to be gnawed alive by any lions lounging in the neigbourhood. But having unlearnt to swim over the next 6 years or so, I had to find my fins all over again if I was ever to swim properly in the junior school swimming pool and receive the coveted width distance certificate. 
   As time progressed, and certificates and praises were received, I was one of the last ones still flapping about unable to swim without the aid of enough buoyancy assistance to keep a blacksmith's anvil afloat. Water wings pumped up so tight you could almost hear them squealing in agony, and floats shaped like little tombstones made of polystyrene that squeaked in your hands as you squeezed them between your meagre thighs to keep your bum upright in the water. These floats had minds of their own and lines of them could be seen making little bids for freedom all-round the pool, leaping out of the swimmers thigh-grips and jumping into the air like shoals of passing river salmon on their way to safer waters for breeding. As time progressed the last little group, which included me, were told to dispense with the floats and make do with the arm bands. Reluctantly we did, which left us swimming about with crazy arm movements, scrunched eyes and legs that felt as if medicine balls were tied to our feet. But a momentum had been established and today the Z group were going from concrete lumps to slick mermaids. 
   It was time for the great con called the 'graduated confidence process' (though they never told us it was called that). Each time we managed to shimmy-splash our way clumsily to one end of the width, Mrs Spangler would release a little air from our taut arm bands. Even with the smell of chlorine rinsing through my nostrils I could smell that rubbery wind as it hissed out of the valves that bubbled, and I heard them blow mini raspberries at Mrs Spangler as she fumbled the caps back on. How I envied them their brazen impudence. Then more widths, then more air releases before being told to give up the floats.  Gradually as all kids emerged shaking slightly, glistening like frogs, each of them dropped their float before reluctantly clambering back in.  A jumbled white heap emerged by the benches looking like a cluster of discarded teeth pulled from a giant's mouth. A pile of white flotsam. 
   Up and down we swam, splashily; eyes tight and sore. Mouths, chemically dried, throats raw, noses numbed, lungs on fire; hearts flicking through our skinny chests like little gasping fish. 
By this stage I was happy, I'd made enough bragging progress to get out. One arm band looking sad and deflated, the other no longer in full bloom; the old pumped up look now consigned to the shrieking dwarves in the shallow end. I had achieved enough; the certificate would wait another week. I looked forward to getting out and enjoying the sublime comfort of dryness. But no, I wasn't allowed out. Miss Spangler was on a roll and no-one was getting out yet; no drownings to report - the great Health and Safety push was a long way away in the future, germinating in the back of someone’s mind - perhaps one of these little would-be eels struggling along with me. It would have taken a drowning to call the session to an end. Even Stuart Stickler’s tears weren’t helping:
   ‘Stop being a baby!’ I heard Mrs Spangler shout as Stuart wiped a bubble of snot from one of his nostrils. I made a mental note: tears aren’t working today.
More deflation visits to the side of the pool. I couldn't work out why they bothered as by now it didn’t make any difference. I'd rest my elbows on the cold slippery surface, shaking and making spluttering comments that made no sense, listening to the trebling echoes and shouts of encouragement all around me and the stuttering snuffling and mad splashing coming from Stuart who was going the opposite way with a face that was part terror, part grim determination.  Then with another gurgled hiss from one of my arm bands I was tapped on the head and ordered back across again. I was swimming. I was a winner in everyone’s eyes, except my own as nobody had told me I’d been swimming for 10 minutes and attributing my success to two flat pieces of plastic and rubber that hung limp and breathlessly from my arms.
                                               

       The Lockable Diary

When I was about 8 and 10, always at bedtime, and providing she left her door open, I’d watch my older sister sitting on the side of her bed with her legs crossed, hunched like a crab, writing something into a red leatherette covered book. I'd watch her peering through her little Gandhi spectacles, writing in that round curly lettered handwriting of hers as her plaits dangled in front of her. Then she’d dart the page before locking the book with a little in-built padlock and attach the key to her constantly worn charm bracelet. My interest in this item grew from bored curiosity to a maddening need for answers. It was the lock that did it.
 She had a money box too; like a miniature bank cashbox – an ugly black square thing that looked like it had been made from left over armoured plating from a tank factory, totally immune to the hairgrips and paper clips I’d used to try to get it open. But I knew the contents of the box amounted to little more than three apple snail shells, a folded picture of Cliff, and a couple of defunct farthings. Compared to the book, this was only of passing interest, fuelled mainly by brotherly menace.
 After several attempts at stealing this mysterious book thing from her desk and prising open the pages, nearly breaking my finger nails; and a failed attempt to obtain the key once by slipping her charm bracelet into my pocket after she’d left it lying around outside the bathroom, she informed me that it was her 'secret diary.’ After allowing for this exotic fact to sink in, I dug out my ongoing Christmas list and looked at the items listed, staring at it with new eyes. I then scratched out the number one entry: ‘Magnetic Robot ‘and inserted the words ‘lockable diary’ in its place.
   That Christmas, I got one. It wasn't lockable. Instead it was a ‘Scout’s Diary,’ full of kids doing stuff I didn’t do like tying knots and earning merit badges for good deeds. But it was a diary. My initial disappointment that it wasn't lockable waned when I found a loose floorboard in my lair and a secret cavity in which to stow it. I could now record my life in complete secrecy; I’d write in it every day and one day show it to an astonished world.
                                              
            Not Feeling Well.

Thursday 18 October 1968.’ Dear diary, I felt poorly at school today and had to sit in the assembly hall with my sister. She was made to sit with me until I told the truth. Spangles is always suspicious if we say we feel ill in class.’ (Age 12)
    
 My sister sat and glowered at me. Her hair now brushed moodily forward, tumbling over her suspicious face where her girlish plaits once hung sweetly. I was her brother; therefore I was a liar as well as a thief. And here I was, lying my way out of lessons. She was relieved and skipped off to her friends when Mrs Spangler, who made no pretense of her dislike of boys, her patience exhausted, sent me home. The hobble home wasn't a tough, sports injury limp, it was one of those clutching belly, ‘I feel fragile’ hobbles. I felt sick and depressed. One light however shone my tortured route home: it was a Thursday, and my new Tiger comic would be waiting for me.
 Very little interrupted my comic obsession, whether sadness, illness or pain. I’d stuck with my Tiger through crippling migraines, breaking off only to stumble to the bathroom to release the headache demon by inducing warm, sour, throat-scoring vomit that filled my nose with the sore-stink of acid. But, eyes still fizzing, my mouth sluiced and sweetened with toothpaste, I’d be back to the comic. Even when the words wavered, and the superheroes looked like smudges, I’d carry on. Comics were my solace and my comfort, a sublime private entertainment no matter how I felt. On new comic delivery day I’d be almost paralysed with delight.
  Home at last, stumbling through the door, I looked across the hall and saw my Tiger, sleeping on the worn mat in the porch; pristine, lit by a dusty ray of late autumn sunshine, shimmering with seductive newness. I took it to my private lair, slinked away with my prize as a real tiger might, then sat on my bed to inhale the inky flavours of its print, its pictures and its promise. Wrestler Johnny Cougar would face another terrible adversary, Skid Solo would be racing against cads with superior technology, and the opposing football team would be out to knobble Roy of the Rover. It didn’t matter that I knew this. It was the familiarity I craved the most.
  And then the unthinkable happened. My interest waned. I was page flipping, not getting to the end of the stories. Suddenly Roy of the Rovers didn't seem quite as captivating. I closed the comic and lay down. Put on my pyjamas and sat in bed clutching my belly. I looked at the comic. The strength of my feelings for the comic now locked in battle with my pain. I picked it up again and read the cover. Then I was flipping again, backwards and forwards.  Finally, I dropped the comic to the floor and it flapped lifelessly to the carpet like a flattened hero. My eyes felt full.  Fluid rattled in my nose. I didn’t feel like being brave. Further down, my appendix grumbled, preparing itself to explode and fire poison into my blood.
                                                       
     ‘Monday 11th August 1972. ‘Dear diary,  the reason I stood today in a carpenter’s workshop wearing my new blue bib and braces overalls with four corned beef sandwiches and a flask of tea with sugar, stowed in a tartan duffle bag slung over my shoulder, was because this was my first day as a proper adult.’ (Age 16)
 ‘Am I in the right place?’ I said to a fat man wearing a brown overall as I wandered into the yard. This turned out to be the foreman, a notorious hater of new apprentices, due to, as I later learned, their callowness and youth being disruptive to the old guard of grizzled ex national servicemen who preferred to work grumpily alone. The scrappy remains of his hair were tar black but greying bits were fighting through and looked as stiff as wire wool. Filaments of hair poked from his collar showing despite his bald head, hair was thriving everywhere else. Spiders legs crawled from his eyebrows and his heavy-lidded eyes were as brown as the bundles of teak stacked by the door. I noticed a stumpy pencil behind his ear, conveniently placed, like a cigarette stub.
‘Depends who’s asking,’ he said.
            ‘I’m Mike,’ I said, putting out my hand as my dad had said I should. ‘I’m the new apprentice.’
    He ignored my hand as if handshakes were the preserve of men who’d done something to earn one. ‘Stick that thing in the grub room,’ he said. ‘And meet me by the mitre saws.’
 I nodded. The 'thing' was my duffle bag. I was never that keen on it myself but never thought of it as a 'thing'. I looked at it now in a new light, my old PE duffle bag, a saggy, toggled-up blob of a reminder of this most recent cross-over from childhood. School was all the duffle bag and I knew. We’d both once taken a beating from Billy Murray, one of the feared school bullies who God had, perhaps rather perversely, made twice the size of the rest of us.  A stomach punch for me and a kick for the duffle which rolled down the school corridor before juddering to halt at Mrs. Hardcastle’s, frozen-to-the-spot, brown brogues and twilled tights.  Now that same bag was moving into adulthood with me, now it was full of manly things like flasks, newspapers and sandwiches - both of us now prepared for the land of working men.  I didn't know what a grub room or a mitre saw was, but didn't want to ask too many questions so early on
 I guessed the ‘grub room’ was the place I first went into where two old guys were sat slurping muddy looking fluid from dirty looking flask cups and reading red topped newspapers. What the hell a mitre was, was anyone's guess. The only one I could think of was the tall hat I wore in drama when I stole the role of Archbishop of Rheims from Melvin Foreacre after auditions, due to being slightly taller, and impressing Miss Strummer with my high, flat toned diction when reading aloud. It felt a long time ago then now that I was 16 with no school kids anywhere, just old guys slurping coffee and talking about mitre saws and grub rooms and pursing their lips at pictures of semi-naked women.
 On my way home I’d mused about my strange first day in the timber yard. ‘It’s not wood,’ I was told, ‘It’s timber, it’s always timber’.  A strange day of standing in a daze watching men work and hearing them swear with an easier familiarity than I ever thought possible in an adult. I’d heard my dad swear once when he accidentally dropped a hammer on his toe whilst attempting to nail to the wall one of my mother’s  plaster of paris plate impressions. The word that sat in the air like a demon’s call put my sister and I into a shocked and fearful silence. My God fearing mother however went into the kind of hysterics I’d only ever seen her perform once before, when a black bird flew through our sitting room open window sending everyone, including the bird, dizzy with madness.  Like the bird, we were ushered out, slightly traumatized, but also relieved.
As I neared home I thought about those workmen and their odd insularity, particularly their Page 3 obsessions. If I’d wanted to see a naked female body, I thought, I only had to ask Samantha to take her top off, which she would, if her dad wasn’t home, and if she was in the right mood. Sometimes I was even allowed to take her bra off, a devilish task of finger trembling complexity that reminded me of those obsessive travails with my sister’s lockable diary and money box about eight years earlier. I’d thought about my diaries as well. At 16 I was an adult now and thought perhaps I should end them.
                                                         Today…
 I’m sitting on the floor of my lounge reading through a box of really old diaries. There are boxes everywhere decades worth.  I’m reflecting on my obsessive nature and my need to write.  If I can put find some plots amid these memories, I’ll make a start on my autobiography. I’m sure everything I need is right here. 




Friday, 28 February 2014

Writing Thoughts

I wrote a couple of poems the other day which I quite liked. This was despite them being the usual artless, sub-standard, naive scribblings you often find in a local papers when you're searching for a plumber or a second hand car. To get them to the 'quite liking' stage I had fussed and picked and played around with them for hours. But I knew that a revisit would induce feelings of horror. Often what looks half decent when first tucked happily away, later viewings bring on waves of dizzying embarrassment and heart jabs of quiet madness. Then it's the first serious re-edit - the one that matters. The one that makes them at least competent that the poems appear to meet some of the poetic requirements of free-verse.

But this is it. Knowing that the first draft is going to be so terrible. And that the second draft won't be much better. This might very well be one of the major causes of writers block. Not dried up inspiration, not a deficiency in motivation, not a lack of ideas, not feelings of low self-esteem or crises of confidence, but just a depressing fear that everything you're going to write is always going to be rubbish.

 And that's even if you understand that it has to be this way - much like the sculpture who has to turn a piece of ugly rock, a plain block of wood, or a lump of bronze into an artistic representation. The ugly starting point is amorphous before a framework can be deciphered, a semblance of what is being aimed at. Then it at least looks like something, even if it is a million miles from being what it needs to be. It's only during the the closer attention to detailing, the ever more specifying, the gradual finessing of the intricate, the unification of a multitude of parts gradually crafted together into one harmonious whole and allowing it to come alive and sing into the hearts of those who view it - only then does it matter.  The rest of the time it's a workshop, a sooty foundry, a splattered floor, an ugly lump squatting in a cloud of paint, powder or smoke. But none of that matters because no one is interested in the process,  It's only the finished article that matters.

Only the finished article matters. The bloody knuckles, the mess and wreckage of the tools, the sleeplessness of nights,the damage to the heath and well-being, the howlings across the creative lake and the praying to the muses, don't.

Wednesday, 26 February 2014

More Interviews

I'm girding myself for another job interview. It's going to be one of those where I will hold at least some of the cards.

Recently I found myself in one of those scenarios that you hear about, but always question its authenticity. You apply for a job and if you're lucky you get short-listed. Then, if your luck holds,you're called forward for an interview where you say some good things and some less good things and some things you later realize could not possibly have been manufactured by your brain and expelled by your mouth unless you were driven slightly mad by nerves.  Then, if you haven't messed up too much, you become the subject of a final paper sift in what used to be a smoke-filled room but is now a room of plastic cups of sparkling water and graze-boxes where a decision is made to go with the other guy. And then that's the end of that. Except on this occasion. it wasn't. So completely unexpectedly I've been contacted again and asked if I'm still interested. It really can happen. This means I'm a shoo-in right? Not necessarily.

I've been in the market now for over a year and I've learnt a few things: not necessarily just how to starve, freeze,walk everywhere and reacquaint myself with the shop damaged stall in Tesco. I have also learned that nothing should be taken for granted. The employers of this job might not have loved the other guy slightly more than me, placing a cigarette paper between two stellar possibilities and tossing a coin, knowing that whichever way it fell they would win, instead they might have loathed me. The final two might have been one no-hoper (me) which helped make the process of recruitment appear legal, and one star in the making, whose desk was already being sprinkled by the office angel, his inside leg measurements already sent off to the office chair makers and discreet inquiries already instigated about any lactose or sugar intolerances for the forthcoming edit to the brew-list. The appointment might have been a paen to the inevitable with me nothing more than ballast - a balance-weight, a nod to fairness: an alternative to an illegal anointment.  So, I expect an interview, yes. But that's the extent of my optimism. 

Wednesday, 19 February 2014

Another Interview

It should be written down somewhere that you should never down play your educational achievements. This is precisely what I did do at my last job interview. In a moment of false modesty,combined with an irresistible urge to introduce levity into what was an otherwise fairly austere interview, I garbled my educational qualifications into a sabotaged paragraph making them sound completely unimportant. In fact I practically dismissed them on the spot as being about as relevant as a degree in astrophysics held by an applicant asking to fill a vacancy as a temporary school dinner lady.

As I relive the interview - which is always a difficult process when one's becalmed self has to critique a time when one's performance is ravaged with induced debilitating nervous tension disorder - I am now frustrated by my misplaced act of modesty which doubtless contributed to my lack of success. The interview wasn't going great - it wasn't going badly, but, I was aware that it needed a bit of snap, a fillip if you like, at about the time that my seat of pants answers began to sound desperate as I began manipulating experiences in answer to questions in the hope that I could convince them sufficiently that the answers were good.  This prompted several rephrasing of the same questions which suggested my prevarications had been spotted. Then my academic qualifications came up. This was the time for the fillip. Often this is an area where academic subjects are hammered into ill fitting places to make them look and sound right.  But mine were absolutely right. In many other instances and at several previous job interviews they weren't  right or absolutely right; but for this one they were almost perfect, and you don't get to feel that very often. 

The question was phrased in a way that I should have been delighted to hear. 'Tell me about these qualifications - which are a/ professional, b/ specialist, and c/ highly germane to the post sought. My answer was along the lines of; 'oh that.' (nervous laughter) 'Well, it was all a long time ago really and I've probably forgotten most of it... (pause) (awkward silence) (stuttering) b. but I'm sure it'll come back to me!' Too late, the damage was done. The one thing I had in my favour, I'd gone out of my way to ruin. I was my own subverting wrecking ball, I was the poison in my own vial.  Mr Tongue had decided - with a little conspiring with his big silent cousin Mr Brain and with absolutely no consultation with the host - Mr Me -  that today it was going to re-enact the problem of the Trojan Horse, and see if I could survive that.

Wednesday, 23 October 2013

Submission Decisions

I must have very few of the qualities that seem normally associated with writers. Not the creative stuff or the knack of plot finding (though they're tough enough and my aptitude in that area, such as it is, cannot be wholly relied upon), but the other traits you need when you get a knock-back.  The kind that suggests resolve, unbreakable self-belief, grim determination, bloody-mindedness even. I have read or heard so many accounts of writers sticking countless rejection slips on the walls of downstairs loos or in garden sheds. There they would be displayed as cocked-snooks to those who would judge their work negatively: exhibited proudly as hard proof and validation that they are writers who can embrace failure as quickly and with pretty much the same enthusiasm as success.  Rejection does not represent failure is the thinking, just another important step towards ultimate success. It is a force for good as opportunities are now available to hatch new approaches to make the writing tighter, to bring in more suspense, to use sparer prose, to create more interesting characters; the list is endless. And then undaunted, re-submit: again and again and again until hitting, if not a bull's-eye at least part of his body.  After all, look at the roll call of role models writers have as dogged inspiration.  Stephen King, whose wife kick started his career by rescuing a manuscript that he'd tossed in the fire on receiving his 200th rejection.  J D Salinger and J K Rowling collected rejection letters like they were post cards from secret lovers, and Louise (Little Women) Alcott, who was told to go back to teaching as it's 'what you do well.'  Richard Adams was told his book Watership Down didn't have a chance because the subject material and the vocabulary didn't sync).  The list goes on. But what do I do? After one rejection decide that it's all a waste of time and go back to the day job. What a wimp.

In truth this was only a couple of life writing stories for which I sacrificed most of the fiction writing conventions for language - there was never going to be tension, surprise or inciting incidents found in them, they were in fact nothing more than glorified diary entries.  The trick I suppose, is to know your market. The publishers, it turned out,were looking for something that ticked the majority of the boxes for conventional short stories, or if not it should be poetry, ideally free verse, not something that might look like it sits somewhere in between. I knew I was sunk when one of the selectors for this new publications wrote on their website that having been tasked with reading the life writing submissions for the new book, had felt frustrated by reading too many entries that failed to grip her. Grip her? I found this statement odd. I read quite a lot of autobiography before embarking on the life writing phase - not all of it gripping.  This is particularly true of childhood memories that rely more on observation, language and ideas such as Laurie Lee's Cider With Rosie or Blake Morrison's When Did You Last See Your Father. Whatever one says about those pieces of work, and I happen to think they are elegant, poetic,and thought provoking, they certainly aren't gripping, nor were they ever meant to be. And neither were my submissions. But they failed to impress and I suspect it's because they weren't sufficiently... gripping, even though that was never a preference expressed by the publishers.    

Perhaps on reflection I should have turned them into free verse poems. Maybe I should now? Possibly. Or perhaps I should just print off the 'Thank you for your submission email however we won't be using either of your stories this time. Please keep writing and consider re-submitting to our words for Wednesday features on our website' stick it up in my garden shed and get back to writing some new stuff, show some of that - what was it? resolve, unbreakable self-belief, grim determination and bloody-mindedness.

Monday, 21 October 2013

Words and Meanings

More from Merriam Webster - I really should get out more. According to its vocabulary test, consanguineous means' related.' Cue tumbleweed then fade in to silence. Does it? Can it? I'm learning not to fully trust these briefest of word definitions: a glance through any dictionary,even the most basic,will always show there are contexts to consider and often alternative meanings to words that came into being attached to myriad layers of confusion.  A word like 'consanguineous' (which is a devil to spell right, as well as pronounce), is never going to give you an easy ride. Perhaps 'related' is found only in the word's essence, which wraps around multiple layers that take you both towards and away from 'related.' That's the thing behind these instant word tests; to get the answer right you don't need to know the whole meaning of a word - only something of its existence sufficient to allow you to think, in an eye sparkle, that it looks familiar.The OED is actually very brief on the word: 'Of the same blood. Akin or pertaining to those so related.' 'Related.' So that settles that one at least.

But what of Gestalt, another one I got wrong despite having known of  it for years. Spirit is the answer according to the MW test. Surely there's more to this one I thought. I seem to remember from an old psychology course I did twenty odd years ago there's something called gestalt theory - something to do with making sense of diagrams and figures. According to MW's own website, gestalt is something that is made of many parts and yet is somehow more than or different from the combination of its parts, the general quality or character of something.

That explains part of my memory about diagrams. I seem to remember that there was a picture in a text book that could either be, depending how you looked at it, a depiction of an old crone with a gnarly face, hooked nose and etiolated neck with jowls huddled grotesquely into and old woolly scarf, or a young beauty with an elegant swan like neck and elfin face - the ugly wart now serving as a pretty button nose and a stray damned hair from the crone's chin a suggestion of a doll-like eyelash.  What the other constituent parts served for I can't remember, but the point being it is something to do with parts making different wholes, or better put by MW themselves: a structure,configuration or pattern of physical biological or psychological phenomena so integrated as to constitute a functional unit with properties not derivable by summation of its parts. In its native German, gestalt means shape or form. Which is handy since I'm trying to learn German at the moment so thank you MW for that.

But what of spirit? For this the MW Learner's Dictionary provides the answer. The second meaning of gestalt is atmosphere. Wither that reference in the earlier more expanded definition? Once you are informed that it has a definite second meaning - I refer to my first paragraph about alternative meanings etc - the atmosphere of a place can allude to its spirit.  But it seems a long haul from the original sense. Or perhaps it's just me. Anyway when faced with spirit alongside three other alternatives - with the knowledge that I had at the time, I was a long way from ticking the spirit box so got it wrong.

The final one that caught me out on this test was obviate. The meaning I assiduously avoided is the verb' to prevent.'  The Cambridge (I have used my one and only freebie with the OED who now request a registration for more information - like there aren't enough free dictionaries on line!) are very specific about this word:  to remove a difficulty, so that action to deal with it becomes necessary.

Returning and finishing with German, since I am trying to self teach myself the language, I spotted the word sehensucht when reading Julian Barne's 'Levels of Life.' I've been having a bit of a Barnes bonanza-fest-love-in lately, ever since reading 'Arthur and George' and loving everything about it. Since then I've ploughed my way through 'England England' (odd), 'A Sense of an Ending' (quite good), before remembering that 'Flaubert's Parrot' and 'A History of the World,' both of which in the early 1990s, seemed all but unreadable to me at the time. But I was going to stick with him this time pace 'Arthur and George', and try his essay style books instead. 'Nothing to be Frightened of,' a treatise on death and religion frightened me, 'The Pedant in the Kitchen' I found frustrating with Barnes writing about slavishly following recipes and his surprise that they always turn out wrong, (Duh, tsk, be creative Jules, use as a guide not a bible), but 'Levels of Life', a heart tearing brave and honest account about love and grief, I thought quite brilliant, thereby allowing me to thank 'Arthur and George' all over again. And if anyone knows anything about' L of L' they will understand why a word like sehensucht would appear. And having now considered it I think it should now be added it to my a/ German list, and b/ my writing list - a two for one.

Sehensucht  means yearning from the heart for something you're unlikely to ever receive. Apparently we have no word that successfully translates all shades and nuances that run through it like place names in English seaside rock. So let's hear it for sehensucht, which joins forces with lebensraum: 'space required for life growth and prosperity' and weltsmerz 'a mood that denotes sentimental sadness,' and get them all part of my world view. Or <cough> weltanschauung.  It does seem that I am confirming general opinion and belief that the German's really do have a word for it. For anything. They just don't have 'consanguineous' - that one is ours and ours alone.