Thought I'd put my TMA03 effort up. Went down well with the tutor and scored 77% though she was scratching her head at the final stanza so I had to rejig it. It might look strange, but that would be because I spent about three weeks on most of it, chopping, changing, titivating, burnishing, all the usual stuff - and then refashioned the whole of the last stanza in about 5 minutes. I think it shows. But it does, to be fair, make more sense I think, whereas the original ending left too much unsaid.
The next posting will be the commentary - so much better than trying to explain the narrative force behind this poem.
A Face in Time
'Or sign that they were bent
By paths coincident.'
Thomas Hardy
The Market Square bus is late, today!
My head boils up at its cavernous void.
I cat-cradle my eyes, blunt out truthful light,
and draw in the threads of silent despair,
pull them together - force dreams to fill in, and
salve my wrecked nerves, settle that breath.
Surely now it's late, for that walking out date.
I'm already now a quiver of shivers,
a niggling of nerves, a salting of
sweat - starkly-stained on the shirt
that is witness to stress, with a cumulus cloud,
that's sufficiently there, for simple betrayal.
The fare finally falls with the flattest of rings,
as he dial-winds the clicked-out bisque flavoured ticket,
hung rude as a tongue and snapped
out from the jaws of the robot- like
gadget of stertorous breath and sparkled eye,
casually slung, like a silver box-brownie.
A whiplash-hiss-halt, a back flinching jolt,
landing amid the granular pavements,
still richly infested with 'on the town' nights;
striking of wide, metronomic, strides, and,
a single-panic-filled glance, at the big town clock,
that sits high up on Market House.
The old town clock whose hand-crossed face
has seen payment of corn weighed up with trade;
dealers dealing through the feculent stench,
whilst farmers furrowed the square with stocked carts,
churning the grainy ground into a
ghastly stirred breakfast of crubbinly slurry.
The old town clock that faced Jubilee Day,
the bells, pealing; the streamers, flying;
the confetti swarming, showing the time,
ticking the time, through history's changes.
But from centuries now we're in seconds,
through the continual slow-fly to collide;
the glance at the clock shows, I'm too late for my date;
for I am the ship, the clock is the ice,
and destiny has struck its most minor of keys,
and shown death, this time, to the smallest of dreams.
It flows nicely. The Titanic reference did seem to come rather 'out of the blue,' but when I re-read the poem, I actually liked it.
ReplyDeleteI think you have used too much alliteration in the line, 'the fare finally falls with the flattest of rings' - my tutor always reminds people 'you are not Gerald Manley Hopkins' when this happens.
All in all though, a good read. Well done.
Thanks for your response Elizabeth. All that alliteration was suppose to represent the nervousness of the poet, but I guess without the commentary who could possibly have known that so, good point. Same as the Titanic thing really - maybe a bit too obscure, too obscure for my own good. I posted the link on Facebook and the silence was deafening considering the nature of the support usually on offer there. I'm going to post a sniffy blog on here in a minute about the coolness of the response as a form of catharsis. *Sniff*
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